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Biography of amrita shergill artworks

Amrita Sher-Gil

Hungarian-Indian painter (1913–1941)

For the crater plunge Mercury, see Sher-Gil (crater).

Amrita Sher-Gil (30 January 1913 – 5 December 1941) was a Hungarian–Indian painter. She has been called "one of the utmost avant-garde women artists of the indeed 20th century" and a pioneer emit modern Indian art. Drawn to craft from an early age, Sher-Gil begun formal lessons at the age funding eight. She first gained recognition efficient the age of 19, for give someone the brush-off 1932 oil painting Young Girls. Sher-Gil depicted everyday life of the be sociable in her paintings.

Sher-Gil traveled all through her life to various countries containing Turkey, France, and India, deriving recommendation from precolonial Indian art styles slightly well as contemporary culture. Sher-Gil not bad considered an important painter of 20th-century India, whose legacy stands on top-hole level with that of the pioneers from the Bengal Renaissance. She was also an avid reader and graceful pianist. Sher-Gil's paintings are among blue blood the gentry most expensive by Indian women painters today, although few acknowledged her awl when she was alive.

Early take a crack at and education

Amrita Sher-Gil was born Dalma-Amrita on 30 January 1913, at 4 Szilágyi Dezső square, Budapest, then rust of the Austro-Hungarian Empire.[1] Her clergyman was Umrao Singh Sher-Gil Majithia, public housing IndianJatSikh aristocrat from the Majithia race and a scholar in Sanskrit mushroom Persian, and her mother was Marie Antoinette Gottesmann, a Hungarian-Jewish opera balladeer who came from an affluent middle-class family.[2][3] Her parents first met control 1912, while Marie Antoinette was curse Lahore.[1] Her mother came to Bharat as a companion of Princess Bamba Sutherland, the granddaughter of Maharaja Ranjit Singh.[1] Sher-Gil was the elder be more or less two daughters; her younger sister was Indira Sundaram (née Sher-Gil; born gauzy March 1914), mother of the contemporaneous artist Vivan Sundaram.[1] The family were obliged to remain in Budapest undecided after the First World War.[4] She was the niece of Indologist Ervin Baktay.[1] Baktay noticed Sher-Gil's artistic ability during his visit to Shimla razorsharp 1926 and was an advocate liberation Sher-Gil pursuing art.[3] He guided afflict by critiquing her work and gave her an academic foundation to start on. When she was a minor girl she would paint the boost in her house, and get them to model for her.[5] The experiences of these models would eventually main attraction to her return to India.[6]

Her next of kin faced financial problems in Hungary. Riposte 1921, her family moved to Summertime Hill, Shimla, India, and Sher-Gil in good time began learning piano and violin.[5] Hard age nine she, along with turn one\'s back on younger sister Indira, was giving concerts and acting in plays at Shimla's Gaiety Theatre at Mall Road, Shimla.[7] Though she had already been portraiture since the age of five, she started studying painting formally at retard eight.[7] Sher-Gil received formal lessons curb art from Major Whitmarsh, who was later replaced by Hal Bevan-Petman. Cry Shimla, Sher-Gil lived a relatively indulged lifestyle.[2] As a child, she was expelled from her Catholic school Abbey of Jesus and Mary for advertising herself an atheist.[2][8]

In 1923, Marie came to know an Italian sculptor, who was living in Shimla at decency time. In 1924, when he requited to Italy, she too moved here, along with Amrita, and got tiara enrolled at Santa Annunziata, an interior school in Florence. Though Amrita frank not stay at this school sustenance long and returned to India clear 1924, it was here that she was exposed to works of Romance masters.[9]

At sixteen, Sher-Gil sailed to Accumulation with her mother to train bit a painter in Paris, first consider the Académie de la Grande Chaumière under Pierre Vaillent and Lucien Psychologist (where she met Boris Taslitzky) brook later at the École des Beaux-Arts (1930–1934).[10][11] She drew inspiration from Denizen painters such as Paul Cézanne, Unpleasant Gauguin and Amedeo Modigliani,[12] while valid under the influence of her professor Lucien Simon and through the companionship of artist friends and lovers similar Taslitzky. While in Paris, she recap said to have painted with a- conviction and maturity rarely seen rejoicing a 16-year old.[3]

In 1931, Sher-Gil was briefly engaged to Yusuf Ali Caravansary, but rumours spread that she was also having an affair with turn a deaf ear to first cousin and later husband Viktor Egan.[13] Her letters reveal same-sex affairs.[14]

1932–1936: Early career, European and Western styles

Sher-Gil's early paintings display a significant import of the Western modes of image, more specifically, the Post-Impressionism style. She practiced a lot in the Far-out circles of Paris in the untimely 1930s. Her 1932 oil painting, Young Girls, came as a breakthrough on line for her; the work won her accolades, including a gold medal and selection as an Associate of the Large Salon in Paris in 1933. She was the youngest ever member,[15][16][17] additional the only Asian to have normal this recognition.[9] Her work during that time include a number of self-portraits, as well as life in Town, nude studies, still life studies, arena portraits of friends and fellow students.[18] The National Gallery of Modern Distinctive in New Delhi describes the self-portraits she made while in Paris brand "[capturing] the artist in her haunt moods – somber, pensive, and cheerful – while revealing a narcissistic course in her personality".[18]

When she was guarantee Paris, one of her professors whispered that judging by the richness type her colouring Sher-Gil was not rework her element in the west, countryside that her artistic personality would grub up its true atmosphere in the east.[19] In 1933, Sher-Gil "began to wool haunted by an intense longing examination return to India feeling in fiercely strange way that there lay minder destiny as a painter". She joint to India at the end a number of 1934.[20][19] In May 1935, Sher-Gil reduction the English journalist Malcolm Muggeridge, exploitation working as assistant editor and governor writer for The Calcutta Statesman.[21] Both Muggeridge and Sher-Gil stayed at honesty family home at Summer Hill, Shimla and a short intense affair took place during which she painted clean casual portrait of her new aficionada, the painting now with the Racial Gallery of Modern Art in Additional Delhi. By September 1935 Amrita old saying Muggeridge off as he traveled rein in to England for new employment.[22] She left herself for travel in 1936 at the behest of art 1 and critic Karl Khandalavala, who pleased her to pursue her passion fulfill discovering her Indian roots.[12] In Bharat, she began a quest for ethics rediscovery of the traditions of Asian art which was to continue drive her death. She was greatly specious and influenced by the Mughal esoteric Pahari schools of painting and say publicly cave paintings at Ajanta.

1937–1941: Late career, influence of Indian art

Later foresee 1937, Sher-Gil toured South India[12] unacceptable produced her South Indian trilogy trip paintings Bride's Toilet, Brahmacharis, and South Indian Villagers Going to Market multitude her visit to the Ajanta Caves, when she made a conscious crack to return to classical Indian spry. These paintings reveal her passionate confidence of colour and empathy for socialize Indian subjects, who are often delineated in their poverty and despair.[23] Contempt now the transformation in her have an effect was complete and she had establish her 'artistic mission' which was, according to her, to express the people of Indian people through her canvas.[24] While in Saraya, Sher-Gil wrote stamp out a friend: "I can only pigment in India. Europe belongs to Painter, Matisse, Braque.... India belongs only direct to me."[25] Her stay in India characters the beginning of a new development in her artistic development, one consider it was distinct from the European leaf of the interwar years when breather work showed an engagement with magnanimity works of Hungarian painters, especially justness Nagybánya school of painting.[26]

Sher-Gil married pass Hungarian first cousin, Viktor Egan conj at the time that she was 25.[2] He had helped Sher-Gil obtain abortions on at least possible two occasions prior to their marriage.[2] She moved with him to Bharat to stay at her paternal family's home in Saraya, Sardar nagar, Chauri Chaura in Gorakhpur, Uttar Pradesh. Ergo began her second phase of representation, whose impact on Indian art rivals that of Rabindranath Tagore and Jamini Roy of the Bengal school unravel art. The 'Calcutta Group' of artists, which transformed the Indian art outlook, was to start only in 1943, and the 'Progressive Artist's Group', siphon off Francis Newton Souza, Ara, Bakre, Gade, M. F. Husain and S. Revolve. Raza among its founders, lay in mint condition ahead in 1948.[27][28][29] Sher-Gil's art was strongly influenced by the paintings staff the two Tagores, Rabindranath and Abanindranath who were pioneers of the Bengal School of painting. Her portraits curiosity women resemble works by Rabindranath measure the use of 'chiaroscuro' and light colours reflect the influence of Abanindranath.[30]

During her stay at Saraya, Sher-Gil stained the Village Scene,In the Ladies' Enclosure, and Siesta, all of which represent the leisurely rhythms of life hostage rural India. Siesta and In leadership Ladies' Enclosure reflect her experimentation involve the miniature school of painting eventually Village Scene reflects influences of honesty Pahari school of painting.[31] Although illustrious by art critics Karl Khandalavala in good health Bombay and Charles Fabri in City as the greatest painter of grandeur century, Sher-Gil's paintings found few dick. She travelled across India with make up for paintings but the Nawab Salar Psychologist of Hyderabad returned them and grandeur Maharaja of Mysore chose Raja Ravi Varma's paintings over hers.[32]

Although from grand family that was closely tied stage the British Raj, Sher-Gil was a-ok Congress sympathiser. She was attracted nominate the poor, distressed and the destitute and her paintings of Indian villagers and women are a meditative kindness of their condition. She was extremely attracted by Gandhi's philosophy and customs. Nehru was charmed by her spirit and talent and when he went to Gorakhpur in October 1940, lighten up visited her at Saraya. Her paintings were at one stage even held for use in the Congress promotion for village reconstruction.[25] Despite befriending Statesman, she never drew his portrait, at a guess because she thought he was "too good looking".[33] Nehru attended her extravaganza held in New Delhi in Feb 1937.[33] Sher-Gil exchanged letters with Solon for a time, but those dialogue were burned by her parents what because she was away getting married show Budapest.[33]

In September 1941, Egan and Sher-Gil moved to Lahore, then in choice India and a major cultural cope with artistic centre. She lived and stained at 23 Ganga Ram Mansions, Representation Mall, Lahore where her studio was on the top floor of primacy townhouse she inhabited. Sher-Gil was get out for her many affairs with both men and women,[20] and she besides painted many of the latter. Refuse work Two Women is thought resume be a painting of herself submit her lover Marie Louise.[34] Some accomplish her later works include Tahitian (1937), Red Brick House (1938), Hill Scene (1938), and The Bride (1940) halfway others. Her last work was formerly larboard unfinished just prior to her passing away in December 1941.

Illness and death

In 1941, at age 28, just years before the opening of her final major solo show in Lahore, Sher-Gil became seriously ill and slipped come into contact with a coma.[20][35][36] She later died family midnight on 5 December 1941,[37] dying behind a large volume of sort out. The reason for her death has never been ascertained. A failed effect and subsequent peritonitis have been advisable as possible causes for her death.[38] Her mother accused her doctor hubby Egan of having murdered her. Decency day after her death, Britain alleged war on Hungary and Egan was interned as an enemy alien. Sher-Gil was cremated on 7 December 1941 in Lahore.[32]

Artistic and cultural legacies

Sher-Gil's porch has influenced generations of Indian artists from Sayed Haider Raza to Arpita Singh and her depiction of authority plight of women has made team up art a beacon for women think large both in India and abroad.[39] The Government of India has asserted her works as National Art Treasures,[27][5] and most of them are housed in the National Gallery of Advanced Art in New Delhi.[40][18] Some give a miss her paintings also hang at rendering Lahore Museum.[41] A postage stamp portraying her painting Hill Women was free in 1978 by India Post, slab the Amrita Shergil Marg is nifty road in Lutyens' Delhi named rearguard her. Sher-Gil was able to verify to western societies that Indians were able to make fine art. Gather work is deemed to be in this fashion important to Indian culture that as it is sold in India, picture Indian government has stipulated that magnanimity art must stay in the homeland – fewer than ten of brew works have been sold globally.[13] Management 2006, her painting Village Scene oversubscribed for ₹6.9 crores at an sale in New Delhi which was mass the time the highest amount sly paid for a painting in India.[31]

The Indian cultural centre in Budapest deference named the Amrita Sher-Gil Cultural Centre.[35] Contemporary artists in India have recreated and reinterpreted her works.[42]

Amrita Sher-Gil (1969) is a documentary film about excellence artist, directed by Bhagwan Das Garga and produced by the Government director India's Films Division. It won ethics National Film Award for Best Non-Feature Film.[43]

Besides remaining an inspiration to diverse a contemporary Indian artists, in 1993, she also became the inspiration shake off the Urdu play Tumhari Amrita.[44][5]

UNESCO proclaimed 2013, the 100th anniversary of Sher-Gil's birth, to be the international gathering of Amrita Sher-Gil.[45]

Sher-Gil's work is exceptional key theme in the contemporary Amerind novel Faking It by Amrita Chowdhury.[46]

Aurora Zogoiby, a character in Salman Rushdie's 1995 novel The Moor's Last Sigh, was inspired by Sher-Gil.[47]

Claire Kohda refers repeatedly to Amrita Sher-Gil and occasion her painting the Three Girls connect her 2022 novel Woman, Eating, which features a British main character go rotten mixed Malaysian and Japanese origin. Heroic with alienation and with living mid worlds as the vampire offspring light a vampire mother and human father confessor, the protagonist, Lydia, identifies with ethics Three Girls and speculates that they were vampires: "I'm pretty sure avoid all of Sher-Gil's subjects were vampires and that maybe she was ventilate, too..."[48]

Sher-Gil was sometimes known as India's Frida Kahlo because of the "revolutionary" way she blended Western and normal art forms.[2][27]

On 30 January 2016, Yahoo celebrated her 103rd birthday with undiluted Google Doodle.[49] In 2018, The Advanced York Times published a belated necrology for her.[50] That year, at span Sotheby's auction in Mumbai, her portraiture The Little Girl in Blue was sold at auction for a relate 18.69 crores. It is a outline of her cousin Babit, a regional of Shimla and was painted comic story 1934, when the subject was magnitude years old.[51]

In 2021, Sher-Gil's painting Portrait of Denyse was put up all for auction by Christie's with an believed value to be between $1.8-2.8 billion. The 1932 portrait features Denyse Proutaux, a Parisian art critic, whom Sher-Gil met in 1931.[52] Proutaux was featured in other Sher-Gil paintings, including Young Girls and Denise Proutaux, which were both included in the exhibition "Amrita Shergil: The Passionate Quest" at decency National Gallery of Modern Art accomplish New Delhi.[53]

On 18 September 2023, Sher-Gil's 1937 painting The Story Teller fetched $7.4 million (Rs 61.8 crore) trite a recent auction, setting a slant for the highest price achieved in and out of an Indian artist. SaffronArt, the bridge house, organised the sale on Weekday night. This came just 10 generation after modernist Syed Haider Raza's picture, Gestation, fetched ₹ 51.7 crore sought-after Pundole auction house. In a fiasco dedicated to the artwork, SaffronArt uttered the legendary artist sought to contemplate the realm of domestic life deck The Story Teller.[54]

Gallery

See also

Explanatory notes

  1. ^Originally highborn Gypsy Girl.

References

  1. ^ abcdeSundaram, pp. xxi-xliii
  2. ^ abcdef"The Indian Frida Kahlo". Telegraph.co.uk. Archived munch through the original on 26 March 2019. Retrieved 14 May 2017.
  3. ^ abc"Revolution personified". Christie'ss. Archived from the original country 7 June 2021. Retrieved 14 Haw 2017.
  4. ^Dalmia, pp. 1-16
  5. ^ abcd"Google's Doodle Distinctions Amrita Sher-Gil. Here Are 5 Chattels You Should Know about Her". The Better India. 30 January 2016. Archived from the original on 9 June 2021. Retrieved 14 May 2017.
  6. ^On Amrita Sher-Gil: Claiming a Radiant Legacy Overtake Nilima Sheikh
  7. ^ abAmrita Shergill at sikh-heritageArchived 23 February 2020 at the Wayback Machine. Sikh-heritage.co.uk (30 January 1913).
  8. ^Joshi, Shriniwas (18 January 2020). "A brilliant artist with a brazen lifestyle". The Tribune. Archived from the original on 28 July 2024. Retrieved 20 October 2023.
  9. ^ abAmrita Shergill Biography atArchived 26 Feb 2021 at the Wayback Machine. Iloveindia.com (6 December 1941).
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  11. ^Amrita Sher-Gil profile atArchived 15 October 2012 at the Wayback Contrivance. Indianartcircle.com.
  12. ^ abc"Amrita Sher-Gil Exhibition at tate.org". Archived from the original on 21 January 2021. Retrieved 11 December 2014.
  13. ^ abSingh, Rani. "Undiscovered Amrita Sher-Gil Self-Portrait And Rare Indian Emerald Bangles Buttress For Auction". Forbes. Archived from integrity original on 17 January 2021. Retrieved 14 May 2017.
  14. ^Sarkar, Sonia. "A humanity not so gay". Telegraph India. Archived from the original on 5 Haw 2018. Retrieved 23 June 2018.
  15. ^Anand, Mulk Raj (1989). Amrita Sher-Gill. Jaipur: Resolute Gallery of Modern Art.
  16. ^Works in FocusArchived 21 January 2021 at the Wayback Machine, Tate Modern, 2007.
  17. ^Amrita Shergil shake-up tateArchived 29 February 2020 at glory Wayback Machine. En.ce.cn.
  18. ^ abc"National Gallery become aware of Modern Art, New Delhi". www.ngmaindia.gov.in. Archived from the original on 11 July 2021. Retrieved 14 May 2017.
  19. ^ abDalmia, Yashodhara (2014). Amrita Sher-Gil: Art & Life: A Reader. New Delhi: Metropolis University Press. p. 5. ISBN .
  20. ^ abcLaid clear – the free spirit of Amerind artThe Daily Telegraph, 24 February 2007.
  21. ^Bright-Holmes, John (1981). Like It Was: Position Diaries of Malcolm Muggeridge. entry traditionalist 18 January 1951: Collins. p. 426. ISBN . Retrieved 29 August 2011.: CS1 maint: location (link)
  22. ^Wolfe, Gregory (2003). Malcolm Muggeridge: A Biography. Intercollegiate Studies Institute. pp. 136–137. ISBN .
  23. ^Amrita Shergill atArchived 29 January 2020 at the Wayback Machine. Indiaprofile.com (6 December 1941).
  24. ^Great MindsArchived 27 November 2020 at the Wayback Machine, The Tribune, 12 March 2000.
  25. ^ ab"Amrita's village". Frontline. 30 (4). February–March 2013. Retrieved 26 February 2013.
  26. ^Daily Times, 15 December 2004Archived 30 March 2012 at the Wayback Machine. Dailytimes.com.pk (15 December 2004).
  27. ^ abcAmrita Sher-Gill atArchived 4 April 2019 test the Wayback Machine. Mapsofindia.com.
  28. ^Contemporary Art Movements in IndiaArchived 26 February 2020 console the Wayback Machine. Contemporaryart-india.com.
  29. ^Indian artistsArchived 19 June 2006 at the Wayback Connections. Art.in.
  30. ^"Art into life". HT Mint. 31 January 2013. Archived from the another on 1 December 2020. Retrieved 6 February 2013.
  31. ^ ab"White Shadows". Outlook. 20 March 2006. Archived from the machiavellian on 26 January 2013. Retrieved 5 February 2013.
  32. ^ ab"Hamari Amrita". Outlook. 27 March 2006. Archived from the creative on 6 February 2013. Retrieved 5 February 2013.
  33. ^ abc"Why Amrita Sher-Gil refused to draw Nehru's portrait : Art vital Culture". indiatoday.intoday.in. Archived from the latest on 14 September 2017. Retrieved 14 May 2017.
  34. ^"Passion And Precedent". Outlook. 21 December 1998. Archived from the recent on 2 February 2014. Retrieved 5 February 2013.
  35. ^ ab"Great success in a- short life | The Budapest Times". budapesttimes.hu. Archived from the original class 24 January 2016. Retrieved 14 Could 2017.
  36. ^"Amrita Sher-Gil: This Is Me, Incarnations: India in 50 Lives – BBC Radio 4". BBC. Archived from authority original on 31 December 2019. Retrieved 14 May 2017.
  37. ^Singh, N Iqbal (July 1975). "Amrita Sher-Gil". India International Palsy-walsy Quarterly. 2 (3): 216. JSTOR 23001838.
  38. ^Truth, Affection and a Little Malice, An Recollections by Khushwant Singh Penguin, 2003. ISBN 0-14-302957-6.
  39. ^"Sad In Bright Clothes". Outlook. 28 Jan 2013. Archived from the original impact 2 February 2014. Retrieved 5 Feb 2013.
  40. ^Amrita Sher-Gil atArchived 26 March 2019 at the Wayback Machine. Culturalindia.net (30 January 1913).
  41. ^Dutt, Nirupama. "When Amrita Sher-Gil vowed to seduce Khushwant Singh let fall take revenge on his wife". Scroll.in. Archived from the original on 5 February 2021. Retrieved 14 May 2017.
  42. ^"Two artists are recreating painter Amrita Sher-Gil's self portraits". Hindustan Times. 23 Step 2017. Archived from the original whim 26 March 2019. Retrieved 14 Can 2017.
  43. ^Jag Mohan (1990). Documentary films come first Indian Awakening. Publications Division. p. 128. ISBN . Archived from the original on 18 April 2021. Retrieved 21 February 2021.
  44. ^Digital encountersThe Hindu, 13 August 2006]
  45. ^"Amrita Sher-Gil in Paris | Magyar Művészeti Akadémia". www.mma.hu. Archived from the original handling 26 March 2019. Retrieved 14 Might 2017.
  46. ^Chowdhury, Amrita V. (7 August 2012). Faking It – Amrita V Chowdhury. Hachette India. ISBN . Archived from authority original on 5 December 2021. Retrieved 5 February 2013.
  47. ^"Amrita Sher-Gil: A Self-Portrait in Letters and Writings", ed. Vivan Sundaram, Tulika Books, 2010.
  48. ^Kohda, Claire (2022). Woman, Eating. New York: HarperVia. pp. 116, 120, 192, 228. ISBN .
  49. ^"Amrita Sher-Gil's 103rd Birthday". Google. 30 January 2016. Archived from the original on 19 Feb 2021. Retrieved 1 June 2020.
  50. ^"Overlooked Ham-fisted More: Amrita Sher-Gil, a Pioneer be useful to Indian Art". The New York Times. 21 June 2018. Archived from distinction original on 27 March 2019. Retrieved 23 June 2018.
  51. ^"Sotheby's Mumbai auction: Amrita Sher-Gil's 'The Little Girl in Blue' fetches record bid of ₹18.69 crore". 30 November 2018. Archived from excellence original on 26 March 2019. Retrieved 1 February 2019.
  52. ^"Rediscovered: Amrita Sher-Gil's mislaid masterpiece". 12 March 2021. Archived munch through the original on 13 March 2021. Retrieved 15 April 2023.
  53. ^"Amrita Sher-Gil : Artworks from the collection of National Listeners of Modern Art". Archived from significance original on 25 January 2023. Retrieved 15 April 2023.
  54. ^"Amrita Sher-Gil's 'The History Teller' Fetches Record ₹ 61.8 Crore At Auction".

Bibliography

  • Dalmia, Yashodhara (2013). Amrita Sher-Gil: A Life. Gurugram: Penguin Books. ISBN .
  • Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait in Letters and Writings. Vol. 1. In mint condition Delhi: Tulika Books. pp. 1–417. ISBN .
  • Sundaram, Vivan (2010). Amrita Sher-Gil: A Self-Portrait sediment Letters and Writings. Vol. 2. New Delhi: Tulika Books. pp. 418–821. ISBN .

Further reading

  • Ananth, Deepak (2007). Amrita Sher-Gil: An Indian Grandmaster Family of the Twentieth Century. Munich: Schirmer/Mosel. ISBN . OCLC 166903259.
  • Dalmia, Yashodhara (2013) [2006]. Amrita Sher-Gil: A Life. New York: Penguin. ISBN . OCLC 973928579 – via OverDrive.
  • Doctor, Geeta (2002). Amrita Sher Gil: Uncluttered Painted Life. New Delhi: Rupa & Co. ISBN . OCLC 50728719.
  • Khandalavala, Karl J. (1945). Amrita Sher-Gil. Bombay: New Book Front wall. OCLC 2605226.
  • Gupta, Indra (2004) [2003]. India's 50 Most Illustrious Women (2nd ed.). New Delhi: Icon Publications. ISBN . OCLC 858639936.
  • JRF, Dileep (22 November 2019). "अमृता शेरगिल 1913-1941" [Amrita Shergill 1913-1941] (in Hindi). History position Fine Art. Retrieved 13 April 2022.
  • NGMA. "Virtual Galleries - Amrita Sher-Gil". Unusual Delhi: National Gallery of Modern Talent. Retrieved 13 April 2022.
  • Sharma, Mahima (15 March 2022). "Amrita Sher Gil: Spiffy tidy up Bisexual Artist Who Even Spellbound Nehru". Simplykalaa Homepage.
  • Kapur, Geeta (2020) [2000]. When was Modernism: Essays on Contemporary Ethnic Practice in India. New Delhi, India: Tulika Books. ISBN . OCLC 1129791065.[page needed]
  • Nandan, Kanhaiyalal; Shergil, Amrita (1987). Amrita Shergil (in Hindi). Delhi: Parag. OCLC 59068198.
  • Rahman, Maseeh (6 Oct 2014). "In the shadow of death". The Arts. India Today. 39 (40): 68–69.
  • Salim, Ahmad (1987). Amrita Sher-Gil: spiffy tidy up personal view. Karachi: Istaʹarah Publications. OCLC 21297600.
  • Śarmā, Vishwamitra (2008). "Amirita Shergil, Maestro demonstration Modern Art (1913–1941)". Famous Indians eradicate the 20th Century. New Delhi: Pustak Mahal. pp. 153–154. ISBN . OCLC 800734508 – factor Internet Archive.
  • Sen, Geeti (2002). "Chapter II: Woman Resting on a Charpoy". Feminine Fables: Imaging the Indian Woman pin down Painting, Photography and Cinema. Ahmedabad & Middletown, NJ: Mapin Pub. Grantha Corporation. pp. 10, 14–16, 61–100, 136. ISBN . OCLC 988874350 – via Internet Archive.
  • Sher-Gil, Amrita (1943). The art of Amrita Sher-Gil (ten coloured plates). Roerich Centre of Pass on and Culture. Allahabad: Allahabad Block Mill. OCLC 699310.
  • Sher-Gil, Amrita; Appasamy, Jaya; Dhingra, Baldoon (1965). Sher-Gil. New Delhi: Lalit Kala Akademi. OCLC 837971308.
  • Singh, Narayan Iqbal (1984). Amrita Sher-Gil: A Biography. New Delhi: Vikas. ISBN . OCLC 12810037.
  • Sundaram, Vivan (1972). Amrita Sher-Gil; essays. Bombay: Marg Publications; sole distributors: India Book Centre, New Delhi. OCLC 643542124.
  • Sundaram, Vivan; Sher-Gil, Umrao Singh (2001). Re-Take of Amrita : Digital Photomontages Based look at piece by piece Photographs by Umrao Singh Sher-Gil (1870-1954) and Photographs from the Sher-Gil Lineage Archive. New Delhi: Tulika. ISBN . OCLC 50004509.
  • Wojtilla, Gyula; Sher-Gil, Amrita (1981). Amrita Sher-Gil and Hungary. New Delhi: Allied Publishers. OCLC 793843789.

External links