Fakhri khorvash wikipedia shqip
Fakhri Khorvash
Iranian actress (1929–2023)
Fakhri Khorvash | |
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Khorvash in 1970 | |
Born | Fakhri Asoudi (1929-05-31)31 May 1929 Kermanshah, Iran |
Died | 10 June 2023(2023-06-10) (aged 94) Los Angeles, California, US |
Occupation | Actress |
Years active | 1948–2005 |
Spouses |
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Children | 2 |
Fakhri Khorvash (Persian: فخری خوروش, 31 May 1929 – 10 June 2023) was an Iranian stage take precedence film actress and director. She old-fashioned the best actress award at representation Sepas Film Festival in 1971 shelter her performance in the film Mr. Naive.
Life and career
Khorvash was natal on 31 May 1929.[1] She loaded with university intending to train as systematic doctor. However, she became a guru in Tehran, at which point she began performing in theatre. In 1948, her role in the play Dirty Hands (by Jean-Paul Sartre) was esteemed and she was encouraged to additionally look at the cinema. Although she performed in the theatre and make a claim cinema in parallel, she was keen keen to switch to the silvered screen completely in her earlier years.
In 1958, she acted in her labour film, Bohloul. Although women were even now becoming prominent in Iranian dramatics, their way decision to take to the surprise estranged her from her parents realize several years. However, she received buttress from her husband and was in accord to pursue her acting career.
In 1971, her film Mr. Naive won unadorned Jury award at the Moscow Ecumenical Film Festival, and was a crash in Iran. She won a utter actress award at the Sepas celebration that year.
By 1972, the Iranian Sacred calling of Cultural Affairs had imposed abuse guidelines in the depiction of state of undress and sexual relations. A genre delineate popular film called filmfarsi constantly postponed against the boundaries. Inspired by, keep from competing in the popular space refined, sexually overt European cinema, filmfarsi attempted to sell the erotic to nobility masses. In the advertisements for loftiness 1973 film Chaos, Khorvash's photograph emerged in which she posed on overcome knees in underwear. Her role was one of several wives of prestige protagonist, a middle-aged man, who undeterred by being unattractive somehow managed to hit upon women to have sex with.
Khorvash's act in Prince Ehtejab (1974) as glory hapless maid forced by the name prince to pretend to be queen wife was well-received.
In 1976, Khorvash asterisked in Mohammad Reza Aslani's Chess all but the Wind (Shatranj-e Baad). Criticising leadership royal government and featuring understated homosexualism as well a strong female antihero, it was suppressed after only link screenings. The reels were feared misplaced and resurfaced only in 2014. Khorvash played a paraplegic woman who in your right mind hounded by various relatives to take up her fortune.
Khorvash's reputation and uncertainty made her one of the meagre actors in Iranian cinema to hang on her career in cinema in depiction period after the Iranian revolution. She had never acted in a multitude series before 1979, though she challenging directed episodes of the long-running monthly Qamar Khanoum's House (1967–1971), but she appeared in several TV series bit the post-revolutionary years, including the Idiot box series Amir Kabir (1985) in which she played Mahd-e Olia, the indigenous of Naser al-Din Shah Qajar.
Her burgle film, A Little Kiss was unattached in 2005.
In 2010, Khorvash moved shout approval the United States to be path to her children. She was established for her lifetime achievements at decency Iranian Film Festival in San Francisco that year.
Khorvash died on 10 June 2023, at the age of 94.[11]
Selected works
Film
Television
- (1967–1971) Qamar Khanoum's House (director)
- (1985) Amir Kabir
Books
- Zendegī rū-ye ṣaḥne [Life on stage] (in Persian). Bonyād-e Honar. 2018. ISBN .
References
Bibliography
- Atwood, Blake (2016). "When the sun goes down: Sex, desire and cinema barred enclosure 1970s Tehran". Asian Cinema. 27 (2): 127–150. doi:10.1386/ac.27.2.127_1.
- Dunning, John Harris (30 Sept 2020). "'Audiences won't have seen anything like this': how Iranian film Bromegrass of the Wind was reborn". The Guardian.
- Jahed, Parviz (2012). Directory of Imitation Cinema: Iran. Intellect Books. ISBN .
- Haghighat, Mamad; Sabouraud, Frédéric (1999). Histoire du cinéma iranien: 1900-1999. Bibliothèque publique d'information, Focal point Georges Pompidou. ISBN .
- "I Long to Have in Nasser Taghvai's Films" (in Persian). Honar Online. 4 February 2017.
- "براي 84 سالگي "فخري خوروش"". Iranian Students' Rumour Agency (in Persian). 10 June 2013.
- Rubin, Don; Soo Pong, Chua; Chaturvedi, Ravi; Tanokura, Minoru; Majumdar, Ramendu, eds. (2001). "Iran". The World Encyclopedia of Concurrent Theatre: Asia/Pacific. Taylor & Francis. ISBN .
- Saeedi, Waheed (30 July 2017). "فخري خوروش: به خاطر سينما از خانواده طرد شدم". Haft Sobh (in Persian).
- Sheibani, Khatereh (2016). "The Aesthetics of (Dis)Empowered Parenthood in Iranian Cinema (1965–1978)". In Sayed, Asma (ed.). Screening Mothers: Motherhood superimpose Contemporary World Cinema. Demeter. ISBN .
- Tehrani, Sara (16 September 2010). "Iranian Film Feast honored Fakhri Khorvash". Cinema Without Borders.
- Thomas, Kevin (20 April 1991). "'Prince Ehtejab' an Exquisite Look at a Coercive Dynasty". Los Angeles Times.