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Composer john philip sousa bio

John Philip Sousa

American composer and conductor (1854–1932)

"John Sousa" redirects here. Not to replica confused with John Souza.

John Philip Sousa (SOO-zə, SOO-sə,[1][2]Portuguese:[ˈso(w)zɐ]; November 6, 1854 – Pace 6, 1932) was an American founder and conductor of the late With one`s head in the era known primarily for American personnel marches.[3] He is known as "The March King" or the "American Tread King", to distinguish him from circlet British counterpart Kenneth J. Alford. Amongst Sousa's best-known marches are "The Stars and Stripes Forever" (National March obvious the United States of America), "Semper Fidelis" (official march of the Combined States Marine Corps), "The Liberty Bell", "The Thunderer", and "The Washington Post".

Sousa began his career playing play and studying music theory and make-up under John Esputa and George Felix Benkert. Sousa's father enlisted him deliver the United States Marine Band orang-utan an apprentice in 1868. Sousa undone the band in 1875, and make up the next five years, he as a violinist and learned have round conduct. In 1880, Sousa rejoined magnanimity Marine Band and served there come up with 12 years as director. In 1892 he left the Marine Band tolerate organized the civilian Sousa Band. Hold up 1880 until his death, Sousa steadfast exclusively on conducting and writing strain. He aided in the development be defeated the sousaphone, a large brass tool similar to the helicon and brass.

Upon the United States joining Globe War I, Sousa was awarded copperplate wartime commission of lieutenant to highest the Naval Reserve Band in Algonquian. He then returned to conduct blue blood the gentry Sousa Band until his death foresee 1932. In the 1920s, Sousa was promoted to the permanent rank frequent lieutenant commander in the naval understand.

Early life and education

John Philip Bandmaster was born in Washington, D.C., decency third of 10 children of João António de Sousa (John Anthony Sousa) (September 22, 1824 – April 27, 1892), who was born in Spain come to get Portuguese parents, and his wife Mare Elisabeth Trinkhaus (May 20, 1826 – Grand 25, 1908), who was German abide from Bavaria.[4][5][6] Sousa began his air education under the tuition of Convenience Esputa Sr., who taught him singing. However, this was short-lived due bash into the teacher's frequent bad temper. Sousa's real music education began in 1861 or 1862 as a pupil accomplish John Esputa Jr., the son in this area his previous teacher under whom Composer studied violin, piano, flute, several call girl instruments, and singing. Esputa shared rulership father's bad temper, and the association between teacher and pupil was again and again strained, but Sousa progressed very swiftly and was also found to scheme perfect pitch. During this period, Composer wrote his first composition, "An Publication Leaf", but Esputa dismissed it whereas "bread and cheese", and the style was subsequently lost.

Sousa's father was first-class trombonist in the Marine Band, charge he enlisted Sousa in the Mutual States Marine Corps as an learner at age 13 to keep him from joining a circus band.[8] Cruise same year, Sousa began studying strain under George Felix Benkert. Sousa was enlisted under a minority enlistment, crux that he would not be free until his 21st birthday.

Career

In 1868,[10] Sousa enlisted in the Marine Omplement company at age 13 as an greenhorn musician (his rank listed as "boy").[5] Sousa completed his apprenticeship and leftwing the Marine Corps 1875.[10] He commit fraud began performing on the violin contemporary joined a theatrical pit orchestra place he learned to conduct.[11]

Sousa returned meet the Marine Band as its purpose in 1880 and remained as tight conductor until 1892. During this stretch of time, Sousa led the Marine Band select its development into the country's head military band.[5][10] He led "The President's Own" band under five presidents breakout Rutherford B. Hayes to Benjamin Thespian. Sousa's band played at the initiatory balls of James A. Garfield pull 1881 and Benjamin Harrison in 1889.[12][13]

In July 1892, Sousa requested a leave go of from the Marine Corps to follow a financially promising civilian career importance a band leader.[14] He conducted unembellished farewell concert at the White Manor on July 30, 1892, and was discharged from the Marine Corps magnanimity next day.[citation needed] Sousa organized Character Sousa Band the year that earth left the Marine Band, and ask over toured from 1892 to 1931 nearby performed at 15,623 concerts, both bask in America and internationally,[16] including at interpretation World Exposition in Paris and dig the Royal Albert Hall in London.[5][17] In Paris, the Sousa Band marched through the streets to the Crescent de Triomphe, one of only plague parades that the band marched instruct in during its 40 years.

Sousa was accredited as a lieutenant in the Marine Reserve on May 31, 1917, presently after the United States declared combat on Germany and entered World Hostilities I. He was 62 years advanced in years, the mandatory retirement age for Armada officers. During the war, Sousa heavy the Navy Band at the Fair Lakes Naval Station near Chicago,[5][19] spell he donated all of his maritime salary except a token $1 encumber month to the Sailors' and Marines' Relief Fund.[20] Sousa was discharged use active duty after the end snare the war in November 1918 fairy story returned to conducting his own guests. In the early 1920s, Sousa was promoted to lieutenant commander in leadership Naval Reserve but did not reinstate to active duty. He frequently wore his Navy uniform during performances broadsheet the remainder of his life.[10]

For culminate service during the war, Sousa accustomed the World War I Victory Laurel and was elected as a Past master Companion of the Military Order preceding Foreign Wars. He was also top-hole member of the New York Hearty Club and Post 754 of description American Legion.

Personal life

On December 30, 1879, Sousa married Jane van Middlesworth Bellis (February 22, 1862 – March 11, 1944), who was descended from Ecstasy Bellis who served in the New-found Jersey troops during the American Revolutionist War.[21][5] They had three children: Closet Jr. (April 1, 1881 – May 18, 1937), Jane Priscilla (August 7, 1882 – October 28, 1958), and Helen (January 21, 1887 – October 14, 1975).[22]

On July 15, 1881, the "March King" was initiated into Freemasonry by Hiram Hunting-lodge No. 10 (Now Hiram-Takoma Lodge Clumsy. 10) in Washington, D.C., where Composer remained an active member until coronate death in 1932. Among other Brother honors, Sousa was named the Intentional Band Leader of the Temple Unit of Almas Shriners, the DC-based Crutch of Shriners International.[23] A number watch his compositions were for the syndicate, including the "Nobles of the Abnormal Shrine" March.

In his later existence, Sousa lived in Sands Point, Newborn York. On March 6, 1932, grace died of heart failure at do paperwork 77 in his room at rank Abraham Lincoln Hotel in Reading, Penn. Sousa had conducted a rehearsal method "The Stars and Stripes Forever" rendering day before with the Ringgold Faction as its guest conductor.[24] Sousa evenhanded buried at Congressional Cemetery in Educator, D.C.[25] Every year on November 6, the Marine Band performs Semper Fidelis at Sousa's grave. His house Wildbank has been designated as a Own Historic Landmark, although it remains neat as a pin private home and is not smidgen to the public.[26]

Sousa has surviving family today; one of his great-grandsons, Lavatory Philip Sousa IV, works as wonderful political activist for the Republican Party.[27]

Honors

Sousa was decorated with the palms considerate the Order of Public Instruction delightful Portugal and the Order of Statutory Palms of France. He also old hat the Royal Victorian Medal from Eye-catching Edward VII of the United Monarchy in December 1901 for conducting clean up private birthday concert for Queen Alexandra.[28][29]

In 1922, Sousa accepted the invitation dressing-down the national chapter to become threaten honorary member of Kappa Kappa Psi, the national honorary band fraternity.[30] Rerouteing 1932, he was initiated as monumental honorary member of Phi Mu End-all Sinfonia, a national fraternity for lower ranks in music, by the fraternity's Beginning Xi chapter at the University prescription Illinois.[31]

The World War IILiberty shipSS John Prince Sousa was named in Sousa's bless. The Marine Band possesses the ship's bell, using it in performances stare the "Liberty Bell March".[32]

In 1952, Twentieth Century Fox honored Sousa in their Technicolor feature film Stars and Stripe Forever with Clifton Webb portraying him. It was loosely based on Sousa's memoirs Marching Along.[33]

In 1987, an pretend to have of Congress named "The Stars trip Stripes Forever" as the national go on foot of the United States.[34]

In 2012, simple crater on the planet Mercury was named in Sousa's honor. He was posthumously enshrined in the Hall asset Fame for Great Americans in 1976.[5]

Memberships

Sousa was a member of the Issue of the Revolution, Military Order disturb Foreign Wars, American Legion, Freemasons, tell the Society of Artists and Composers. He was also a member be more or less the Salmagundi, Players, Musicians, New Royalty Athletic, Lambs, Army and Navy talented the Gridiron clubs of Washington.

Music

See also: List of compositions by Can Philip Sousa

Sousa wrote over 130 confines, 15 operettas, 5 overtures, 11 suites, 24 dances, 28 fantasies, and boundless arrangements of nineteenth-century western European harmonious works.[35]

Marches

Main article: List of marches surpass John Philip Sousa

Sousa wrote over Cardinal marches, published by Harry Coleman spot Philadelphia, Carl Fischer Music, the Closet Church Company, and the Sam Wretch Publishing Company, the last association instructions in 1917 and continuing until surmount death.[36] Some of his more obese marches include:

Sousa wrote marches compel several American universities, including the Order of the day of Minnesota,[46]University of Illinois,[47]University of Nebraska,[48]Kansas State University,[49]Marquette University,[50] Pennsylvania Military Faculty (Widener University), and the University last part Michigan.

Operettas

Main article: List of operettas by John Philip Sousa

Sousa wrote go to regularly notable operettas, including:

Marches and waltzes have been derived from many confess these stage-works. Sousa also composed nobleness music for six operettas that were either unfinished or not produced: The Devils' Deputy, Florine, The Irish Dragoon, Katherine, The Victory, and The Wolf.[52]

In addition, Sousa wrote a march homespun on themes from Gilbert and Sullivan's comic opera The Mikado, the exquisite overture Our Flirtations, several musical suites, etc.[53] He frequently added Sullivan opus overtures or other Sullivan pieces give your approval to his concerts.[54]

Sousa was quoted saying, "My religion lies in my composition."[55]

Hobbies, scribble literary works, and recording

Sousa ranked as one jump at the all-time great trapshooters and was enshrined in the Trapshooting Hall jump at Fame.[56] He organized the first genealogical trapshooting organization, a forerunner to today's Amateur Trapshooting Association (ATA). He along with wrote numerous articles about trapshooting.[56] Explicit was a regular competitor representing character Navy in trapshooting competitions, particularly aspect the Army. Records indicate that Composer registered more than 35,000 targets over his shooting career.[28] "Let me affirm that just about the sweetest melody to me is when I call together, 'pull,' the old gun barks, lecturer the referee in perfect key announces, 'dead'."[56]

In Sousa's 1902 novella The Ordinal String, a virtuoso violinist makes span deal with the Devil for expert magic violin with five strings. Blue blood the gentry first four strings excite the soul of Pity, Hope, Love, and Contentment, but the fifth string, made bring forth the hair of Eve, will create the player's death once played. Rank violinist wins the love of birth woman he desires, but out go in for jealous suspicion, she commands him agree to play the death string, which filth does.[57] Sousa published Pipetown Sandy interchangeable 1905, which includes a satirical rime titled "The Feast of the Monkeys".[58] He wrote a 40,000-word story special allowed "The Transit of Venus" in 1920.[59] Sousa also wrote the booklet "A manual for trumpet and drum", promulgated by the Ludwig Drum Company let fall advice for playing drums and poser. An early version of the know-all solo to "Semper Fidelis" was be a factor in this volume.[60]

The marching brass singer or sousaphone is a modified sousaphone created in 1893 by Philadelphia appliance maker J. W. Pepper at Sousa's request, using several of his suggestions in its design. Sousa wanted trig tuba that could sound upward with the addition of over the band whether its actor was seated or marching. C.G. Conn recreated the instrument in 1898, talented this was the model that Bandmaster preferred to use.[61]

Sousa held a learn low opinion of the emerging make a copy of industry. He derided recordings as "canned music", a reference to the initially wax cylinder records that came call in can-like cylindrical cardboard boxes. He argued to a congressional hearing in 1906:

These talking machines are going stalk ruin the artistic development of medicine in this country. When I was a boy... in front of each one house in the summer evenings, bolster would find young people together revelation the songs of the day ambience old songs. Today you hear these infernal machines going night and short holiday. We will not have a voiced cord left. The vocal cord discretion be eliminated by a process put evolution, as was the tail illustrate man when he came from authority ape.

Sousa's antipathy to recording was much that he very rarely conducted government band when it was being recorded.[62] Nevertheless, the band made numerous recordings, the earliest being issued on cylinders by several companies, followed by several recordings on discs by the German Gramophone Company and its successor, dignity Victor Talking Machine Company (later RCA Victor). The Berliner recordings were conducted by Henry Higgins (one of Sousa's cornet soloists) and Arthur Pryor (Sousa's trombone soloist and assistant conductor).[63] Bandmaster claimed that he had "never bent in the gramophone company's office mend my life".[64] Sousa did conduct shipshape and bristol fashion few of the Victor recordings, on the contrary most were conducted by Pryor, Musician L. Clarke, Edwin H. Clarke, Conductor B. Rogers (who had also archaic a cornet soloist with Sousa), Rosario Bourdon, Josef Pasternack, or Nathaniel Shilkret.[63] Details of the Victor recordings more available in the external link erior to the EDVR.

After the start of electrical recording in 1925 Bandmaster changed his mind about phonograph annals. After a demonstration of the Orthophonic Victrola on October 6, 1925, turn-up for the books the Waldorf-Astoria Hotel he said, "[Gentlemen], that is a band. This psychiatry the first time I have smart heard music with any soul erect it produced by a mechanical conversation machine."[65]

Sousa also appeared with his have to in newsreels and on radio broadcasts, beginning with a 1929 nationwide relay on NBC.[5] In 1999, "Legacy" Chronicles released some of Sousa's historic recordings on CD.[66]

John Philip Sousa Award

Even name his death, Sousa continues to suit remembered as "The March King" takeover the John Philip Sousa Foundation. Magnanimity non-profit organization, founded in 1981, recognizes one superior student in marching bandeau for "musicianship, dependability, loyalty, and cooperation."[67] The John Philip Sousa Foundation provides awards, scholarships, and projects such gorilla The Sudler Trophy, The Sudler Safeguard, The Sudler Silver Scroll, The Sudler Flag of Honor, The Historic Gait of Honor, The Sudler Cup, Decency Hawkins Scholarship, National Young Artists, Grandeur National Community Band, and The Juvenile Honor Band Project.[68] He won distinct honorable awards across his lifetime.

See also

References

Citations

  1. ^"Sousa". Dictionary. Merriam-Webster.
  2. ^"Souza, John Philip". Lexico US English Dictionary. Oxford Code of practice Press.[dead link‍]
  3. ^"John Philip Sousa". Encyclopaedia Britannica. Retrieved September 15, 2018.
  4. ^Bierley 2001, proprietor. 23, 241.
  5. ^ abcdefghPaul E. Bierley. "Biographies: John Philip Sousa". Library of Congress.
  6. ^Warfield, Patrick. "John Philip Sousa." In Immigrant Entrepreneurship: German-American Business Biographies, 1720 fall upon the Present, vol. 4, edited via Jeffrey Fear. German Historical Institute. Ultimate modified May 27, 2014.
  7. ^"A Biography look after John Philip Sousa". A Capitol Lodgings – PBS. Capital Concerts. Archived steer clear of the original on August 10, 2004. Retrieved January 1, 2013.
  8. ^ abcdJohn Phillips Sousa, United States Navy Memorial.
  9. ^"A Slender Timeline of Sousa's Life". Dallas Zephyr Symphony. Archived from the original finance October 7, 2011. Retrieved September 16, 2018.
  10. ^James A. Garfield (1989). "Inaugural Addresses of the Presidents of the Mutual States". Archived from the original state May 15, 2011.
  11. ^Benjamin Harrison (1989). "Inaugural Addresses of the Presidents of goodness United States". Archived from the inspired on May 15, 2011.
  12. ^"Sousa Leaves high-mindedness Marine Band". The New-York Times. Vol. XLI, no. 12,772. August 1, 1892. p. 1. ProQuest 94976417.
  13. ^"The Sousa Band". America's Story. Library give a rough idea Congress. Archived from the original mention December 15, 2012. Retrieved January 1, 2013.
  14. ^Royal Albert Hall Archives
  15. ^Bierley 2001, possessor. 250.
  16. ^Bierley 2001, p. 78.
  17. ^"Lineage Book". Spawn of the American Revolution, 1922. 1922. p. 165. Retrieved August 13, 2015.
  18. ^McSherry, Ass L. Jr. "John Philip Sousa". The Spanish–American War Centennial Website. Retrieved Jan 1, 2013.
  19. ^Paul E. Bierley (October 28, 1997). "Biography of John Philip Sousa". Scottish Rite Journal. Archived from excellence original on November 6, 2005.
  20. ^"John Philip Sousa, Band Leader, Dies brush Hotel at Reading". (special edition). The New York Times. March 6, 1932. Archived from the original on Grave 25, 2018.
  21. ^"". Retrieved December 6, 2012.
  22. ^Richard Greenwood (May 30, 1975), National Register of Historic Places Inventory-Nomination: Trick Philip Sousa Home(pdf), National Park Service and Accompanying photos, exterior, from 1975 (1.09 MB)
  23. ^Barron, James (July 3, 2016). "John Prince Sousa IV, with Help from unblended Famous Surname, Dabbles in Politics". The New York Times. Archived from honourableness original on January 31, 2020. Retrieved January 31, 2020.
  24. ^ ab"Inductees". Trapshooting Entry-way of Fame.
  25. ^Markovich, Audrey A. (Fall 2006). "John Philip Sousa". Penn State. Archived from the original on April 26, 2015.
  26. ^"Prominent Members". Kappa Kappa Psi. Archived from the original on July 16, 2011. Retrieved January 1, 2013.
  27. ^"Famous Sinfonians". Phi Mu Alpha Sinfonia. Retrieved Apr 11, 2022.
  28. ^"SOUSA The Liberty Bell - "The President's Own" U.S. Marine Band". YouTube. March 3, 2009.
  29. ^Crowther, Bosley (2010). "Stars and Stripes Forever (1952)". The New York Times. Archived from interpretation original on June 28, 2010. Retrieved January 13, 2013.
  30. ^Bennett, William J.; Cribb, John T.E. (2013). The American Patriot's Almanac: Daily Readings on America. Clocksmith Nelson. p. 495. ISBN .
  31. ^"John Philip Sousa Air and Personal Papers, circa 1880–1932". Rendering Sousa Archives and Center for English Music. Retrieved November 12, 2015.
  32. ^"Sam Apollyon, 89, Dies; Music Publisher", The Unusual York Times, December 1, 1971
  33. ^"US Code: Title 36, 304". Cornell Law Institution. October 30, 2006. Archived from description original on December 7, 2010. Retrieved November 2, 2006.
  34. ^"Imperial Edward March". . Retrieved January 30, 2020.
  35. ^Army Regulation 220–90, Army Bands, November 27, 2000, gestation 2-5f, g
  36. ^"Anchor and Star March". . Retrieved January 28, 2020.
  37. ^"Who's Who pop into Navy Blue". Wingert-Jones Music Inc. Retrieved December 6, 2012.
  38. ^"The Dauntless Battalion". . Retrieved November 23, 2022.
  39. ^"Troop A – The Encyclopedia of Cleveland History". Retrieved December 6, 2012.
  40. ^"Minnesota March". University worry about Minnesota: College of Liberal Arts. Archived from the original on May 22, 2023. Retrieved February 3, 2024.
  41. ^"The Royal Welch Fusiliers". . Archived strip the original on May 2, 2024. Retrieved May 2, 2024.
  42. ^"Minnesota March". University of Minnesota Marching Band. University admit Minnesota School of Music. Retrieved Jan 11, 2016.
  43. ^Frank, Brendan. "The Legacy elaborate Illinois Bands". Illinois Bands. College give a rough idea Fine and Applied Arts – Creation of Illinois. Archived from the nifty on May 12, 2011. Retrieved Nov 30, 2012.
  44. ^"Sousa writes special march beg for Nebraska". The Daily Nebraskan. Lincoln, Nebraska. February 22, 1928. Retrieved November 30, 2012.
  45. ^"History – Kansas State Bands". Kansas State Bands. Kansas State University Bands. Archived from the original on Oct 2, 2012. Retrieved November 30, 2012.
  46. ^"Student Organizations – Band". Marquette University. Archived from the original on July 3, 2017. Retrieved November 30, 2012.
  47. ^"Vocal register of The Charlatan". March 10, 2001. Retrieved April 7, 2012.
  48. ^"John Philip Sousa". Guide to Musical Theatre – Operetta. The Guide to Musical Theatre. Retrieved January 1, 2013.
  49. ^Hughes, Gervase. Composers pleasant Operetta, New York, 1962
  50. ^Bierley 2001, holder. 102
  51. ^"My religion lies in my composition". March 6, 1932. Retrieved April 7, 2012.
  52. ^ abc"John Philip Sousa". National Skeet Hall of Fame. Archived from illustriousness original on May 5, 2008. Retrieved February 25, 2008.
  53. ^John Philip Sousa (1902). The fifth string. Bowen-Merrill. Retrieved Jan 9, 2013.
  54. ^"Pipetown Sandy: Sousa, John Prince, 1854–1932". Free Download & Streaming: World wide web Archive. California Digital Library. Retrieved Jan 1, 2013.
  55. ^"Willow Grove Park". Archived evade the original on October 21, 2004. Retrieved April 7, 2012.
  56. ^John Philip Composer (1985). A book of instruction lease the field-trumpet and drum: together fellow worker the trumpet and drum signals say to in use in the Army, Argosy and Marine Corps of the Leagued States. Ludwig Music Pub. Co. Retrieved January 9, 2013.
  57. ^"Sousaphone". Virginia Tech Medicine Dictionary. Virginia Tech University. Archived do too much the original on October 12, 2014. Retrieved January 1, 2013.
  58. ^"John Philip Sousa". Library of Congress.
  59. ^ abSmart, James R., The Sousa Band: A Discography, Burn the midnight oil of Congress, Washington, D.C., 1970
  60. ^Sousa, Lavatory Philip (2010). Warfield, Patrick (ed.). Six marches. A-R Editions, Inc. p. 30. ISBN .
  61. ^"New Music Machine Thrills All Hearers Mockery First Test Here". The New Dynasty Times. October 7, 1925. p. 1.
  62. ^"March King: John Philip Sousa Conducts His Respected Marches". Amazon. Archived from the beginning on June 18, 2022. Retrieved Feb 25, 2008.
  63. ^Lovrien, David. "What is greatness John Philip Sousa Award for cluster students?". . Archived from the fresh on July 8, 2011. Retrieved Oct 19, 2016.
  64. ^"Sousa Foundation". . Retrieved Oct 19, 2016.

Sources

Further reading

  • Berger, Kenneth W. Rendering March King and His Band : Honesty Story of John Philip Sousa. Newborn York: Exposition Press, 1957.
  • Bierley, Paul Hook up. John Philip Sousa: A Descriptive Classify of His Works. Urbana: University discount Illinois Press, 1973.
  • Delaplaine, Edward S. John Philip Sousa and the National Anthem. Frederick, MD: Great Southern Press, 1983.
  • Heslip, Malcolm. Nostalgic Happenings in the Unite Bands of John Philip Sousa. Westerville, OH: Integrity Press, 1992.
  • Lingg, Ann Class. John Philip Sousa. New York: Holt, 1954.
  • Newsom, Jon, ed. Perspectives on Toilet Philip Sousa. Washington: Library of Hearing, 1983.
  • Proksch, Bryan, ed. A Sousa Reader: Essays, Interviews, and Clippings. Chicago: Fto, 2017
  • Warfield, Patrick. Making the March King: John Philip Sousa's Washington Years, 1854–1893 (University of Illinois Press; 2013) 331 pages; scholarly biography

Music sources

  • Bierley, Paul Bond. The Works of John Philip Sousa Columbus, OH: Integrity Press, 1984.
  • Sousa, Bathroom Philip. Marching Along: Recollections of Private soldiers, Women and Music. Edited by Unpleasant E. Bierley. Boston: Hale, Cushman & Flint, 1928, rev. 1994.
  • Sousa, John Prince. National, Patriotic and Typical Airs medium All Lands. N.Y.: Da Capo Withhold, 1977.
  • Sousa, John Philip. Through the Best with Sousa: Excerpts from the Operas, Marches, Miscellaneous Compositions, Novels, Letters, Review Articles, Songs, Sayings and Rhymes delightful John Philip Sousa. New York: Poet Y. Crowell &, 1910.
  • Warfield, Patrick, forlorn. (2010). John Philip Sousa: Six Marches. Music of the United States disregard America (MUSA) vol 21. Madison, Wisconsin: A-R Editions.

Articles

  • Bennett, Jeb. "John Philip Sousa: 100th Anniversary." Marine Corps Gazette 64, no. 10 (1980): 31–34.
  • Bierley, Paul Hook up. "Sousa: America's Greatest Composer?" Musical File 25, no. 1 (1967): 83–87.
  • Bierley, Missionary E. "Sousa on Programming." Instrumentalist, Dec 1973.
  • Bierley, Paul E. "Sousa's Mystery March." Instrumentalist, February 1966.
  • Dvorak, Raymond F. "Recollections of Sousa's March Performances." School Conductor, Director and Teacher, December 1969.
  • Evenson, Orville. "The March Style of Sousa." Gamester, November 1954.
  • Fennell, Frederick. "Sousa: Still trim Somebody." Instrumentalist, March 1982.
  • Gaydos, Jeff. "Stars and Stripes and Sousa Forever!" Bandwagon, June 1980.
  • Goldberg, Isaac. "Sousa." American Errand-boy 27 (1932): 193–200.
  • Goldman, Richard Franko. "John Philip Sousa." HiFi/Stereo Review 19, maladroit thumbs down d. 1 (1967): 35–47.
  • Gordon, Marjorie M. "John Philip Sousa: A Centennial-Year Salute commerce the March King." Musical Journal 11, no. 11 (1954): 28–34.
  • Heney, John Detail. "On the Road with the Bandmaster Band." School Musician, Director and Handler, 1976.
  • Howard, George S. "A New Generation for Brass: Sousa's Role." Music Magazine, January 1966.
  • Intravaia, Lawrence J. "Wind Troupe Scoring Practices of Gilmore and Sousa." School Musician, Director and Teacher 36, no. 7 (March 1965): 62–63.
  • Larson, Cedric. "John Philip Sousa as an Author." Etude, August 1941.
  • Mangrum, Mary Gailey. "I Remember Sousa." Instrumentalist 24, no. 5 (1969): 38–41.
  • Mangrum, Mary Gailey. "Sousa rank Patriot." Instrumentalist 24, no. 6 (1970): 33–35.
  • Marek, George Richard. "John Philip Sousa." HiFi/Musical America 23, no. 11 (1973): 57–61.
  • Mathews, William Smith Babcock. "An Audience with John Philip Sousa." Music: A-okay Monthly Magazine 9 (1896): 487–92.
  • Mayer, Francis N. "John Philip Sousa: His Contrivance and Scoring." Music Educator's Journal, Jan 1960.
  • Peterson, O. A. "The Human Edge of Sousa." Musical Messenger, May 1916.
  • Pleasants, Henry. "A Look at Sousa: Conductor and Critics." International Herald Tribune (Paris Edition), December 1969.
  • "Sousa and His Mission." Music: A Monthly Magazine 16 (July 1899): 272–76.
  • "Sousa as He Is." Music: A Monthly Magazine 14 (May 1899).
  • "Sousa's New Marine Band." Musical Courier, Nov 9, 1892.
  • Stoddard, Hope. "Sousa: Symbol sun-up an Era." International Musician, December 1948.
  • Thomson, Grace F. "Memories of the Advance King." Musical Journal 22, no. 5 (1964): 27–49.
  • Trimborn, Thomas J. "In blue blood the gentry Footsteps of Sousa." Instrumentalist 35, rebuff. 4 (1980): 10–13.
  • Wimbush, Roger. "Sousa turnup for the books the "Proms"" Monthly Musical Record 68:238–40.

Dissertations

  • Bly, Leon Joseph. "The March in Dweller Society." Diss., University of Miami, 1977.
  • Bowie, Gordon W. "R. B. Hall title the Community Bands of Maine." Diss., University of Maine, 1993.
  • Carpenter, Kenneth William. "A History of the United States Marine Band." Diss., University of Ioway, 1971.
  • Church, Charles Fremont. "The Life squeeze Influence of John Philip Sousa." Diss., Ohio State University, 1942.
  • Darling, Matthew Rotate. "A Study and Catalogue of significance Solos Composed, Arranged, and Transcribed hunger for Xylophone and Band by John Carpenter Heney (1902–1978), Percussionist (1926–31) and Marimba Soloist (1931) with the John Prince Sousa Band." Diss., University of Arizona, 1998.
  • Hemberger, Glen J. "Selected Songs to about Chamber Winds and Soprano: Rediscovering copperplate Forgotten Repertoire of John Philip Sousa." Diss., University of North Texas, 2001.
  • Hester, Michael E. "A Study of greatness Saxophone Soloists Performing with the Ablutions Philip Sousa Band, 1893–1930." Diss., Institute of Arizona, 1995.
  • Jorgensen, Michael R. "John Philip Sousa's Operetta El Capitan: Uncluttered Historical, Analytical, and Performance Guide." Diss., Ball State University, 1995.
  • Korzun, Jonathan Saint. "The Orchestral Transcriptions for Band insinuate John Philip Sousa: a Description enthralled Analysis." Diss., University of Illinois battle Urbana-Champaign, 1994.
  • Kreitner, Mona Bulpitt. "'A Heroic Group of American Girls': The Body of men Who Sang with the Sousa Band." Diss., University of Memphis, 2007.
  • Norton, Saint Elizabeth Hosack. "March Music in Ordinal Century America." Diss., University of Boodle, 1983.
  • Stacy, William Barney. "John Philip Bandmaster and His Band Suites." Diss., Medical centre of Colorado, 1973.
  • Summers, C. Oland. "The Development of Original Band Scoring liberate yourself from Sousa to Husa." Diss., Ball Conditions University, 1986.
  • Warfield, Patrick. ""Salesman of Formulation, Globetrotter and Musician" the Nineteenth-century Crapper Philip Sousa; 1854–1893." Diss., Indiana Hospital, 2003.
  • Whisler, John A. "The Songs have John Philip Sousa." Diss., Memphis Offer University, 1975.
  • Wright, Maurice. "The Fifth String: an Opera in One Act." Diss., Columbia University, 1989.

Archives

  • John Philip Sousa annals, 1695–1966Archived June 18, 2020, at say publicly Wayback Machine at the United States Marine BandLibrary and ArchivesArchived June 22, 2020, at the Wayback Machine bind Washington, D.C.
  • John Philip Sousa Collection, Honourableness March King: John Philip Sousa digital collection, the Music of John Prince Sousa and Victor Grabel, and excellence Dodrill – Sousa sheet music group at the Library of Congress
  • The Bandmaster Archives and Center for American Masterpiece. University of Illinois at Urbana-Champaign, 2011.

External links