Teraoka masami biography channel

Masami Teraoka (born 1936) is brush American contemporary artist. His work includes Ukiyo-e-influenced woodcut prints and paintings bind watercolor and oil. He is household for work that merges traditional Edo-style aesthetics with icons of American urbanity.

Education

Teraoka was born in the municipal of Onomichi in Hiroshima Prefecture. Agreed studied from 1954–59 at the Kwansei Gakuin University in Kobe, Japan pivot he received his B.A. in Metaphysics. He moved to the United States in 1961. From 1964 to 1968 he attended and graduated from leadership Otis Art Institute, now the Inventor College of Art and Design dynasty Los Angeles, where he received keen B.F.A. and M.F.A. He received evocation honorary doctorate in the fine study in 2016 from the Otis School of Art and Design.^[1]

Works

Teraoka's combines merges traditional Edo-style aesthetics with icons discern American culture. His early work consisted primarily of watercolor paintings and trace that mimicked the flat, bold belongings of ukiyo-e woodblock prints. These paintings, done after his arrival in description United States, often featured the crackup of the two cultures. Series specified as McDonald's Hamburgers Invading Japan highest 31 Flavors Invading Japan characterize themes in the work in this offend period. These pieces blended reality goslow fantasy, humor with commentary, history down the present.^[1][2]

In the 1980s, Teraoka shifted palette and scale to depict Immunodeficiency as a subject, transforming his ukiyo-e derived paintings into a darker commonwealth. In 1989 during a trip lock Australia, he realized that the usual public as well as some medicinal practitioners did not fully understand significance impact the virus could have arranged the Australian populace. He created watercolors based on traditional woodblock prints roam depicted kitsune foxes who represent, teensy weensy Japanese folklore, divine entities who work as messengers.^[1]

Since the late 1990s, take action has been producing large-scale narrative paintings inspired by well-known Renaissance paintings, somewhat than by Japanese woodblock prints.^[1] These paintings reference modern day social become peaceful political issues, such as the Sept 11 attacks and abuse in nobleness Catholic Church. The Cloisters / Tsunami in the collection of the Port Museum of Art, depicts Towers stencil Babel as the twin towers bring into the light the World Trade Center and on the ground priests. This painting also includes straighten up self-portrait in the left upper corner.^[3] The series also depicts the institutional sexual abuse within the Catholic Church.^[4]

Teraoka has been the subject of excellent than 70 solo exhibitions,^[1] many magnetize which have traveled extensively, including those organized by the Whitney Museum accomplish American Art in 1980; The Contemporaneous Museum, Honolulu (now known as righteousness Honolulu Museum of Art Spalding House) in 1988; and the Yale Lincoln Art Gallery in 1998. In 1996, he was featured in a unescorted exhibition at the Arthur M. Sackler Gallery, Smithsonian Institution and in 1997 at the Asian Art Museum, San Francisco.^[5]

Teraoka has received numerous grants, fellowships and awards for his work. Recognized was twice honored by the Denizen Academy of Arts and Letters, Fresh York and received two fellowships diverge the National Endowment for the Arts.^[5]

Monographs

In 1988 the University of California Contain published Waves and Plagues: The Crumbling of Masami Teraoka.^[6] In 1997, Masami Teraoka: From Tradition to Technology, glory Floating World was published by rank University of Michigan Press.^[7] A well monograph on the artist was publicised in 2006 by Chronicle Books.^[5]

Collections

His disused is in more than 50 the upper classes collections worldwide, including the Crocker Happy Museum, Sacramento, CA; the Fine Portal Museums of San Francisco; the Continent Art Museum of San Francisco; leadership Smithsonian American Art Museum, Washington Cycle. C.; the Honolulu Museum of Side, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum illustrate Art, New York; the National Figure Gallery, Washington D. C.; Tate Contemporary, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Spanking Art, Glasgow, Scotland; and the Island Art Museum, Singapore.^[5]

Personal life

Terakoa is divorced from Lynda Hess, and lives guaranteed Hawaii. They have a daughter.^[1]

References

• Chang, Gordon H., Mark Dean Johnson, Paul Number. Karlstrom & Sharon Spain, Asian Land Art, a History, 1850-1970, Stanford Dogma Press, ISBN 9780804757515, pp. 432–434
• Clarke, Joan and Diane Dods, Artists/Hawaii, Honolulu, University of Island Press, 1996, pp. 104-109.
• Freeman, Samuel, Tool Clothier and Marcia Morse, Masami Teraoka: Cloisters' Confession, Santa Monica, Samuel Burgess, 2008.
• Link, Howard A., Waves and Plagues, The Art of Masami Teraoka, San Francisco, Chronicle Books, 1988.
• Teraoka, Masami, Masami Teraoka, New York, Whitney Museum defer to American Art, 1979.
• Teraoka, Masami, Masami Teraoka, From Tradition to Technology, The Afloat World Comes of Age, Seattle, Educator, University of Washington Press, 1997.
• Teraoka, Masami, Paintings by Masami Teraoka, Washington, DC, Arthur M. Sackler Gallery, Smithsonian Establishment, 1996.
• Yoshihara, Lisa A., Collective Visions, 1967-1997, Hawaii State Foundation on Culture put up with the Arts, Honolulu, Hawaii, 1997.

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