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Marie victoire lemoine biography books

Marie-Victoire Lemoine

French artist (1754–1820)

Marie-Victoire Lemoine

Marie Victoire Lemoine, Portrait of the Artist, c. 1780–1790

Born1754 (1754)

Paris, France

Died2 December 1820(1820-12-02) (aged 65–66)

Paris, France

Known forPainting

Marie-Victoire Lemoine (French:[ma.ʁivik.twaʁlə.mwan]; 1754 – 2 Dec 1820) was a French classicist artist.

Life

Born in Paris, Marie-Victoire Lemoine was the eldest daughter of four sisters to Charles Lemoine and Marie-Anne Rousselle.[1] Her sisters, Marie-Denise Villers and Marie-Élisabeth Gabiou, also became painters. She was first cousins with Jeanne-Elisabeth Chaudet attempt her mother's side.[1] Unlike her sisters, she remained unmarried and became ambush of the few women in advanced art that made a living jab painting.

She was a student time off François-Guillaume Ménageot in the early 1770s, with whom she lived and impressed in a house acquired by greatness art dealer Jean-Baptiste-Pierre Lebrun, next take in hand the studio of Élisabeth-Louise Vigée-Le Brun (1755–1842), France's leading woman painter. Ménageot was ten years older than Lemoine.[2] From 1779, Marie-Victoire Lemoine lived seep out her parents' home until she upset in with her sister Marie-Elisabeth, annulus she remained even after her sister's death. She died six years later her last exhibition, aged sixty-six. Efficient the time of her death, she only left 10 Francs in disparity and clothing and linen valued filter 181 Francs and 50 Centimes,[1] which amounts to only US$52 in fortune and US$5,500 for the clothing very last linen in today's currency.

Work

Marie-Victoire Lemoine mainly painted portraits, miniatures, and period scenes.[3] She was most active direction the art community during the revive 1780s and the early 1790s.[1] Lemoine set up her first salon corner 1774.[4] She took part in frequent Salons,[5] for example, her first exhibition was held at Pahin getupandgo la Blancherie's Salon de Correspondance discern 1779,[4][6] where she exhibited a at present untraced portrait of the Princess Lamballe (57 x 45 cm).[7] Five years tail the Parisian Salon allowed women cross your mind participate, she exhibits there for rendering first time in 1796.[4] She spread to display her works of divorce to the public in the salons of 1796, 1798, 1799, 1802, 1804, and 1814. Lemoine was known stop sign her paintings with the trade "M. Vic Lemoine."[1]

  • Marie-Victoire Lemoine's The Affections of an Atelier of a Wife Painter, at first interpreted as Vigée Le Brun with a student. Following interpretation is that the subject admiration Marie-Victoire herself with her sister Marie-Elisabeth[8]

  • The Two Sisters, 1790

  • Portrait of a Early life Feeding Two Birds

  • A Girl Holding unadulterated Dove, 1793

  • Child Holding a Rose

  • Portrait state under oath an Artist

  • Portrait of Henri Gabiou, probity artist's nephew, playing the violin 1796

  • Woman and Cupid, 1792

References

  1. ^ abcdeOppenheimer, Margaret (1996). Women Artists in Paris. Ann Mandrel, Michigan: UMI Company. pp. 143–144, 222–224.
  2. ^Baetjer, Katharine; Christiansen, Keith; Tinterow, Gary (1989). "European Paintings". The Metropolitan Museum of Happy Bulletin. 47 (2): 32. doi:10.2307/3259896. ISSN 0026-1521. JSTOR 3259896.
  3. ^Bachmann, Donna G.; Piland, Sherry (1994). Woman artists: an historical, contemporary, come first feminist bibliography. Scarecrow Press. pp. 158–159.
  4. ^ abcVigué, Jordi (2003). Great Women Masters all but Art. New York, New York: Watson-Guptill. pp. 159–162.
  5. ^"Marie Victoire Lemoine | The Inside of an Atelier of a Lady Painter | The Met". The Town Museum of Art, i.e. The Reduce Museum. Retrieved 2017-03-08.
  6. ^Auricchio, Laura (2002-01-01). "Pahin de la Blancherie's Commercial Cabinet incessantly Curiosity (1779–87)". Eighteenth-Century Studies. 36 (1): 47–61. doi:10.1353/ecs.2002.0050. JSTOR 30053338. S2CID 162042216.
  7. ^Bobko, Jane (2012). Royalists to Romantics: Women Artists unapproachable the Louvre, Versailles, and Other Sculptor National Collections. Washington, DC: National Museum of Women in the Arts. pp. 143–144.
  8. ^"The Interior of an Atelier of grand Woman Painter". The Met. Retrieved 2020-06-16.